Get Technical: The 32-Bit Color Pipeline

In our newest technical paper, you'll learn how Media Composer's 32-bit floating point color pipeline brings you high bit-depth, HDR color grading workflows and video effects processing, helping you increase efficiency and reduce churn in collaborative workflows, You'll learn:

  • The advantages of DNxHR and DNxUncompressed codecs when preserving color metadata and lossless collaboration
  • The importance and value of ACES (Academy Color Encoding System)
  • IMF (Interoperable Master Format) when used to submit deliverables to broadcasters and other organizations that have a standardized master file delivery format

Get the technical paper now—for an in-depth look inside the new Media Composer 2019.

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